Frequency Entanglement

Frequency Entanglement Productions presents

Ghosted: Brokers Gone Wild — official key art

Coming this Fall

Ghosted: Brokers Gone Wild

“Everybody knows somebody.”

Feature-Length Dark Comedy & Financial Satire

Official trailer

Ghosted: Brokers Gone Wild

Character featurette

Evan’s Guide to Being Someone Who Knows Someone

Ghosted: Brokers Gone Wild — On the Festival Circuit banner

On the Festival Circuit

Ghosted: Brokers Gone Wild has been submitted for consideration to a growing group of AI cinema and comedy film festivals. The following submissions are currently under consideration.

  • World AI Cinema Festival — Cannes

    In Consideration · 2026

  • AI Global Film Festival | LifeArt

    In Consideration · 2026

  • AI International Film Festival

    In Consideration · 2026

  • The Comedy Film Festival

    In Consideration · 2027

Submission status as of September 2026. “In Consideration” indicates that the film has been submitted and is under review. It does not indicate festival selection, nomination, or an award.

Logline

In the chaotic world of private-market dealmaking, everyone knows someone, every opportunity is supposedly exclusive, and nobody seems to know who the actual buyer is. Ghosted: Brokers Gone Wild follows an eccentric collection of brokers, intermediaries, investors and would-be financial operators through an increasingly absurd maze of introductions, hot deals, investigations and disappearing counterparties.

Official Poster

Ghosted: Brokers Gone Wild — official poster

From the Soundtrack

Ghosted Theme Song — official single cover art

Ghosted Theme Song

The official theme from the film's soundtrack.

Listen now

About the film

Ghosted: Brokers Gone Wild is a dark comedy and financial satire about the strange ecosystem surrounding private investments, pre-IPO opportunities and intermediary-driven dealmaking. Deals appear enormous, documentation looks impressive and everyone is extraordinarily confident. Actually closing anything is another matter.

The film follows a collection of ambitious and frequently ridiculous characters as they pursue transactions through endless chains of introductions. Buyers know brokers who know sellers who know representatives who know someone who supposedly knows the principal. The deeper the characters travel into the deal ecosystem, the harder it becomes to distinguish access from theater.

Dry, character-driven and intentionally absurd, the film uses financial jargon, status signaling, intermediary chains and entrepreneurial reinvention as comic material — access, credibility, valuation, reputation, deal mythology, the performance of success, and the difficulty of determining who actually has authority to transact.

2026 · United States · Approximately 67 Minutes · Dark Comedy / Satire

Production: Frequency Entanglement Productions / Macro Tech Titan, Inc.

Ghosted: Brokers Gone Wild — official poster

Character guide

Everybody knows somebody

Evan

A recurring broker, salesman and relentless entrepreneur whose ambitions extend well beyond private markets. When one business model stops working, another is never far behind.

Jack

A pragmatic participant attempting to answer the question everyone else seems determined to avoid: does anyone involved actually know the buyer or seller?

Rob

A broker attempting to navigate — and occasionally escape — the relentless culture of deal flow, reinvention and salesmanship.

Lindy

A circus performer whose perspective on the financial world becomes increasingly appropriate as events unfold.

Kyle

A polished dealmaker whose outward appearance of financial success occasionally contrasts sharply with reality.

Hot Shot

A confident new recruit whose understanding of institutional finance is still developing, but whose enthusiasm is already fully capitalized.

The world of Ghosted

Anatomy of a deal that never closes

Seller
Seller Rep
Broker
Broker
Guy in Dubai
Other Broker
Buyer Rep
???
Buyer

Unofficial rules of deal flow

  1. 1Every opportunity is exclusive until you discover the other twelve people marketing it.
  2. 2The person closest to the principal is usually introduced last.
  3. 3Question marks are not obstacles. They are “deal execution.”
  4. 4An expensive watch is not proof of funds.
  5. 5If the printer works, the deal may be real.
  6. 6The ultimate objective is simple: GET PAID.

“Everybody knows somebody.”

Filmmaker statement

Private-market finance has its own language, rituals and mythology. Deals can travel through long chains of introductions, and confidence can sometimes move faster than information. That environment offered a natural setting for comedy.

Ghosted: Brokers Gone Wild takes those recognizable dynamics and pushes them into satire. The film is not a documentary and its characters and situations are fictional. The objective was to create a character-driven comedy about access, ambition, status, deal flow and the strange distance that can develop between a transaction and the people talking about it.

The production method became part of the experiment. Emerging generative systems made it possible to build environments, characters and visual situations in ways that would have required a very different production model only a short time ago. At the same time, those tools introduced their own constraints. The film therefore developed through iteration: generating, selecting, rejecting, editing, scoring, mixing and rebuilding until the material worked as a feature.

That combination — financial satire told through a rapidly evolving filmmaking medium — became central to the identity of Ghosted.

Making Ghosted

A hybrid AI production

The production used specialized systems for different tasks rather than treating AI as a single filmmaking tool. Conventional editing and human creative decisions provided the connective layer between generated source material, voice work, music, sound design and final delivery.

Higgsfield Cinema Studio

AI cinematic and character-scene generation

OpenAI / ChatGPT

Writing, dialogue, assistant-director functions, production planning and support

ElevenLabs

AI-assisted voice production

Google Veo

Selected visual sequences and B-roll

Runway

Selected visual sequences, B-roll and supporting production material

Midjourney

Selected artistic visual development

FL Studio

Music production, scoring, sound design, mixing and mastering

Wondershare Filmora

Nonlinear picture editing and final program assembly

Official film fact sheet

Official Title
Ghosted: Brokers Gone Wild
Year
2026
Country of Production
United States
Production Location
Knoxville, Tennessee
Production Company
Macro Tech Titan, Inc.
Production Label
Frequency Entanglement Productions
Genre
Dark Comedy / Satire
Runtime
Approximately 67 minutes
Language
English
Master Resolution
3840 × 2160 (4K UHD)
Frame Rate
24 fps
Picture Master
H.264 High, Rec.709, progressive
Audio Master
AAC LC, 48 kHz, stereo, 320 kbps
Captions
English captions prepared for distribution

Technical specifications describe the prepared Filmhub distribution master. Platform-specific transcodes may differ.

Press release

For release

Ghosted: Brokers Gone Wild takes aim at the absurd world of private-market dealmaking

Independent dark comedy combines financial satire with a new AI-assisted filmmaking workflow.

KNOXVILLE, TENNESSEE — 2026 — Ghosted: Brokers Gone Wild, a feature-length dark comedy produced by Macro Tech Titan, Inc. under its Frequency Entanglement Productions label, turns the culture of private-market dealmaking into an increasingly absurd comedy of introductions, intermediaries and opportunities that never seem to reach the actual principal.

The approximately 67-minute film follows a collection of brokers, investors and would-be dealmakers as supposedly exclusive transactions pass through ever-expanding networks of people who know people. What begins as deal flow evolves into investigations, courtroom encounters, abandoned conference rooms, reinvention and increasingly improbable business ventures.

The film was built through an unconventional production model combining AI cinematic generation, AI-assisted voice production and visual development with conventional nonlinear editing, original music production, sound design, mixing and mastering.

“Everybody knows somebody” serves as both the film’s recurring joke and its organizing idea: in a world built on access, the distance between buyer and seller can become the entire story.

Approved promotional lines

“Everybody knows somebody.”“I know the guy who knows the guy.”“Do you know the buyer?”“We know how to get paid.”“If the printer works, the deal is real.”“A real deal. Fifteen intermediaries. Zero outcomes.”
Download the full press kit

Production notes

How Ghosted was made

Ghosted: Brokers Gone Wild was created as an experiment in a rapidly emerging form of independent filmmaking: combining generative artificial intelligence with conventional editing, music production, sound design, writing, and human creative direction to produce a feature-length motion picture.

Rather than relying on a single AI platform, the production developed a multi-platform filmmaking workflow. Different systems were selected for the parts of production where they performed best, while the final creative decisions, editing, sequencing, sound, and overall direction remained part of a unified production process.

Principal AI cinematic production platform

Building the Film with Higgsfield

Higgsfield served as the principal AI cinematic production platform for Ghosted. It was used extensively for the film's primary cinematic scenes, character performances, dialogue sequences, camera movement, environments, and visual effects.

Producing a feature this way was considerably different from generating isolated AI video clips. Characters had to recur throughout the story, locations needed to remain believable, dialogue had to fit the edit, and individual generations had to function as pieces of a much larger narrative.

That required extensive experimentation. AI-generated filmmaking remains unpredictable: a performance can change unexpectedly, a character can behave differently between generations, or an otherwise successful scene can contain a visual anomaly requiring another approach.

Those limitations ultimately became part of the filmmaking process itself. Scenes were rewritten, regenerated, reframed, shortened, extended, or reconstructed during editing. In some instances, the limitations of the technology even contributed to the intentionally chaotic character of the film.

Writing, planning and prompt orchestration

ChatGPT — Assistant Director and Production Partner

ChatGPT served as an AI assistant director throughout the production. Its role extended beyond generating dialogue or writing isolated prompts: it was used as an ongoing production partner for screenplay development, scene construction, character development, shot planning, dialogue refinement, comedy timing, continuity analysis, trailer development, production troubleshooting, post-production planning, and the orchestration of prompts across different generative systems.

An important part of that role was determining which tool should create which shot. A dialogue-heavy character scene might be designed for Higgsfield, while an establishing shot could be assigned to Veo or Runway. A visual concept could be developed through Midjourney before being translated into motion. A scene that failed technically could be redesigned around editing, reaction shots, inserts, or sound rather than repeatedly attempting the same generation.

In that sense, ChatGPT functioned much like an assistant director sitting beside the filmmaker throughout production — helping organize an unconventional virtual production environment where the “crew” consisted partly of specialized AI systems.

AI-generated voices and vocal production

ElevenLabs — Voices and Performance

ElevenLabs was used for AI-generated voices and vocal production. Voice generation provided another layer of control independent from image generation: performances could be developed around pacing, personality, timing, and delivery rather than being entirely dependent upon the audio produced during a video generation.

This was especially important for comedy. A pause of half a second, an intentionally flat delivery, or a character sounding completely serious while saying something ridiculous can determine whether a joke works.

Voice and picture therefore became separate creative elements that could be combined during post-production rather than treated as a single immutable AI generation.

Scoring, sound design, mixing and mastering

FL Studio — Original Score, Mixing and Sound

Music and sound were treated as major components of the production rather than additions made after the picture was completed. FL Studio was used extensively for the film's musical score, audio production, mastering, mixing, and sound effects.

The soundtrack was developed to move between financial thriller, corporate drama, absurd comedy, tension, and outright chaos. Music frequently provides the seriousness against which the comedy operates: the image and score may suggest that an enormously consequential financial transaction is underway while the dialogue reveals that nobody actually knows who the buyer is.

Sound effects were similarly used to give generated imagery physical weight. Phones, doors, rooms, crowds, impacts, office ambience, environmental sound, transitions, and other details help connect independently generated shots into a coherent cinematic environment.

The final soundtrack required conventional post-production decisions involving dialogue levels, music placement, effects, dynamics, transitions, and mastering. AI could create source material, but the finished soundtrack still had to be mixed as a film.

Establishing shots and atmosphere

Google Veo — Cinematic B-Roll

Google Veo was used primarily for cinematic B-roll and supporting visual material. These shots helped establish locations, create transitions, expand the apparent scale of the production, and provide visual breathing room between dialogue scenes.

B-roll became particularly valuable because a feature film cannot consist entirely of characters speaking directly to one another. City environments, offices, streets, financial imagery, atmospheric shots, and other visual inserts helped create the larger world surrounding the characters.

Veo therefore became something similar to a specialized second-unit camera crew.

A second generation system, used deliberately

Runway — B-Roll and Supporting Scenes

Runway was also used for B-roll as well as selected supporting scenes. Using multiple video-generation systems was intentional: no single generative model consistently excels at every type of filmmaking task, and different systems interpret movement, realism, camera direction, people, environments, and visual effects differently.

Instead of forcing the entire film through one technology, Ghosted used the available platforms as different production departments. The question became less “Which AI made the movie?” and more “Which tool is best for this particular shot?”

Concept art and visual development

Midjourney — Artistic Development and Renditions

Midjourney was used for artistic renditions and visual development. Still-image generation provided a way to explore compositions, characters, environments, promotional concepts, and stylized imagery without immediately committing to video generation.

This also reflects a traditional filmmaking practice in a new form. Productions have long used concept artists, storyboards, reference photography, production paintings, and visual-development material before cameras begin rolling. Generative image systems dramatically accelerate that exploratory stage.

The central lesson

AI did not mean “push a button”

One of the central lessons of producing Ghosted: Brokers Gone Wild was that AI filmmaking does not eliminate filmmaking decisions. It changes where those decisions happen.

Instead of controlling a physical camera, the filmmaker may be specifying lens behavior and camera movement through a generation. Instead of directing an actor through another take, a performance may be regenerated, reconstructed through voice work, or reshaped in the edit. Instead of sending a second unit across town for an establishing shot, another generative system may create it.

But the fundamental questions remain remarkably familiar:

  • Does the scene work?
  • Is the performance believable?
  • Is the shot funny?
  • Does the audience understand what is happening?
  • Should we cut sooner?
  • Does the music help?

And, perhaps most importantly for Ghosted: is the deal actually going to close?

The production of Ghosted: Brokers Gone Wild ultimately became both a film and an experiment in what an individual filmmaker can accomplish by assembling a virtual production pipeline from emerging AI technologies.

The technology is imperfect. Sometimes spectacularly imperfect. But that imperfection was particularly appropriate for a movie about brokers, intermediaries, artificial confidence, mysterious counterparties, endless introductions, and an industry in which everyone seems to know someone who knows someone.

The tools changed. The filmmaking didn’t.